Prof. David Chung
Professor, Department of Music
B.A. (CUHK), M.Phil. (Cambridge), Ph.D. (Cambridge)
French baroque keyboard music; performance practice; keyboard transcriptions
Style and performance; pedagogy; chamber music; classical performance practice; early keyboard performance
‘French harpsichord doubles and the creative art of the 17th-century clavecinistes’, in Musical Improvisation in the Baroque Era, edited by Fulvia Morabito. Turnhot: Brepols, 2019, pp. 3–29.
Online Thematic Keyboard of Lully Keyboard Arrangements, http://digital.lib.hkbu.edu.hk/OTCL/, created 1 September 2018.
‘The Menetou manuscript: a study of styles and repertory for the harpsichord during late-seventeenth-century France’, Revue de musicologie 2 (2015): 407–436.
Keyboard Arrangements of Music by Jean-Baptiste Lully. Critical edition, in Monuments of Seventeenth-Century Music, Vol. 1 of the Web-Library of Seventeenth-Century Music. 2015. (http://www.sscm-wlscm.org/monuments-of-seventeenth-century-music/volume-i)
‘Revisiting le bon goût: observations on the irregularities and inconsistencies in French harpsichord music 1650–1730’, Music and Letters, 92 (2011), pp.183–201.
Source studies of baroque harpsichord music
Performance and creativity of French baroque music