Music Performance

 

Prof. David CHUNG

Performance Practice of Pre-1800 Keyboard Music; French Harpsichord Music

Prof. Johnny POON

Conducting Orchestral Performance; Baroque Performance Practice; Opera

Dr. John WINZENBURG

Conducting; Choral Performance; Musical Experimentation by Aaron Avshalomov in Pre-1949 Shanghai; Chinese-Western "Fusion Concertos"; New Chinese Choral Music

Dr. Patrick YIM

Violin Performance and Pedagogy, Chamber Music Performance and Pedagogy, Contemporary Music Performance

  

Professor David CHUNG 鍾裕森教授

Professor 教授

Research areas:

Performance Practice of Pre-1800 Keyboard Music; French Harpsichord Music

Representative publications:

v  Keyboard Arrangements of Music by Jean-Baptiste Lully. Critical edition, in Monuments of Seventeenth-Century Music, Vol. 1 of the Web-Library of Seventeenth-Century Music. ISSN 23302429.

v  'Revisiting le bon goût: observations on the irregularities and inconsistencies in French harpsichord music 1650 1730', Music and Letters, 92 (2011), pp.183201.

v  Jean-Baptiste Lully: 27 Opera Pieces transcribed for Keyboard in the 17th and 18th Century . Critical edition. UT Orpheus Edizioni, ES45. 2004.

v  Jean-Baptist Lully: DivertissementsPièces choisies pour le clavecin de différents auteurs et tirées des sources manuscrites 16801720. Compact disc with liner notes. Musique sans frontiers (MSF 73967), 2008.

Biography of Prof. David Chung (http://mus.hkbu.edu.hk/chung.html)

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Professor Johnny POON 潘明倫教授

Acting Dean of Arts and Professor

文學院署理院長、教授

Research areas 研究範圍 :

Conducting Orchestral Performance; Baroque Performance Practice; Opera

Representative publications 代表著作:

v  Orchestral Performance: Mozart's Symphony No. 1 & 40, Tan Dun's Pipa Concerto, Lam Fung's "In Search Of" ( World Premiere) (Conductor of Collegium Musicum Hong Kong), Zankel Hall, Carnegie Hall, February 2014.

v  Opera Performance: Mozart's Cosi Fan Tutte (2 Performances) (Conductor of the Central Conservatory Orchestra and Opera), Concert Hall, Central Conservatory of Music, Beijing, May 2014.

v  Music CD: Touching (Guest Conductor), Performed by Baroque Camerata, 2016.

v  Orchestral Performance: The Longing(君不見2016 跨界音樂劇場)(Guest Conductor), Performed by Baroque Camerata, The Da Dong Art Center, Kaohsiung, 29-30 April 2016.

v  Curation: Manhattan-Hong Kong Music Festival (Artistic Director), Lincoln Center, Carnegie Hall, Greenfield Recital Hall, Borden Auditorium, New York, U.S.A., October - November 2012.

Biography of Prof. Johnny Poon (http://mus.hkbu.edu.hk/poon.html) 

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Dr. John WINZENBURG 文盛伯博士

Acting Head of Music and Associate Professor 署理系主任、副教授

Research areas:

Musical Experimentation by Aaron Avshalomov in Pre-1949 Shanghai;

Chinese-Western "Fusion Concertos"; New Chinese Choral Music

Representative publications:

v  Chinese choral anthology Half Moon Rising: Choral Music from Mainland China, Hong Kong, Singapore, and Taiwan, compiled and edited by John Winzenburg. London: Edition Peters, 2015.

v  "Musical-Dramatic Experimentation in the Yangbanxi: A Case for Precedence in The Great Wall ," in Listening to China's Cultural Revolution: Music, Politics, and Cultural Continuities , edited by Paul Clark, Pang Laikwan, and Tsai Tsan-Huang. London: Palgrave MacMillan (2015), pp. 189-212.

v  "Heteroglossia and Traditional Vocal Genres in Chinese-Western Fusion Concertos," in Perspectives of New Music Volume 51, No. 2 (Summer 2013), pp. 101-140.

v  "Aaron Avshalomov and New Chinese Music in Shanghai, 1931-1947," Twentieth-Century China 37/1 (January 2012), pp. 50-72.

v  "Spanning the Timbral Divide: Tradition, Multiplicity, and Novelty in Chinese-Western Fusion Concerto Instrumentation," book chapter in East-West Musical Encounters: Representation, Reception, and Power Politics in Sino-Western Musical Relations , edited by Hon-Lun Yang and Michael Saffle, University of Michigan Press. (March 2017), pp.186-204.

Biography of Dr. John Winzenburg (http://mus.hkbu.edu.hk/winzenburg.html)

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Dr. Patrick YIM 嚴天成博士

Assistant Professor 助理教授

Research areas:

Violin Performance and Pedagogy, Chamber Music Performance and Pedagogy, Contemporary Music Performance

Representative publications:

v  Chamber Music Performance: World Premiere at Flatirons Chamber Music Festival of Benjamin Park's For Purple Mountains (11 minutes) for clarinet and string quartet, (Violin Artist at Flatirons Chamber Music Festival), eTown Hall, Boulder, Colorado, 18 June 2017.

v  Chamber Music Performance: Bartók Duos for Two Violins (selections) with Emerson Quartet violinist Philip Setzer and World Premiere at New Music for Strings Festival of Loïc Destremau's String Quartet No. 1 (8 minutes) for prepared string quartet and foot percussions, (Violinist, Emanio String Quartet, String Quartet in Residence at New Music for Strings Festival), St. Lucas Church, Aarhus, Denmark, 20 August 2016.

v  Chamber Music Performance: World Premiere of Paula Matthusen's of culpable trajectories (10 minutes) for string octet, e. guitar, bass guitar, percussion, and fixed media, (Violinist, Stony Brook Contemporary Chamber Players), Roulette (Brooklyn, NY) and Stony Brook Recital Hall (Stony Brook, NY), November 2015.

v  Chamber Music Performance: World Premiere of Matthew Ricketts' Enclosed Position (9 minutes) for alto flute, clarinet, string trio, and piano, and World Premiere of Stephen Taylor's Writhe (9.5 minutes) for flute, clarinet, violin, cello, piano, (Violinist, Stony Brook Contemporary Chamber Players), Roulette (Brooklyn, NY) and Stony Brook Recital Hall (Stony Brook, NY), November 2014.

Biography of Dr. Patrick Yim (http://mus.hkbu.edu.hk/patrick.html)

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